In the Rapa Nui language it means "to recite, to declaim, to chant out". It is a primitive imitation of rongorongo. The forms of the glyphs are standardized contours of living organisms and geometric designs about one centimeter high. The wooden tablets are irregular in shape and, in many instances, fluted tablets B, E, G, H, O, Q, and possibly Twith the glyphs carved in shallow channels running the length of the tablets, as can be seen in the image of tablet G at right.
Inscribing Meaning Website Exhibition In Depth Writing systems have flourished in Africa for thousands of years and have contributed significantly to the global history of writing, yet they have received little attention outside the continent.
Now for the first time, this new exhibition presents artworks from a range of periods, regions, genres and peoples that testify to the richness and diversity of African scripts and graphic forms of communication. Writing has, for the most part, been limited to phonetic alphabets, despite the great diversity and cultural richness of inscription systems worldwide.
An intricate wooden headrest carved by the Luba peoples of the Democratic Republic of the Congo depicts female figures and reflects many Luba conventions of beauty, including the graphic language of scarification.
Sacred Scripts In religious traditions the world over, writing and graphic inscription are endowed with sacred attributes, for they are considered both the embodiment of the divine and a powerful means for conveying religious teachings.
In Africa, specialized forms of writing and graphic inscription are usually the domain of highly trained and often religious practitioners, from scribes and poets to priests, monks and healers.
Inscribing Power In different African social, political and cultural contexts, works of art often incorporate scripts as one way to express how power is accrued through the acquisition of specialized knowledge and skills, such as healing with herbal medicines, communicating with the spirit world, and writing.
In creating works of art that serve those who guard and exercise power, such as warriors, leaders and members of religious or political associations, artists rely on the symbolic significance of specific materials, images, and, at times, inscriptions to imbue objects with greater efficacy and visual potency.
Other works in this section, such as those by Durant Sihlali, evoke the practice of graffiti as a way to bring ideas into the public sphere.
Words Unbound and Word Play While contemporary art is interspersed throughout this exhibition, the two final sections are devoted exclusively to the works of contemporary artists. Press Release Inscribing Meaning:UNESCO established its Lists of Intangible Cultural Heritage with the aim of ensuring better protection of important intangible cultural heritages worldwide and the awareness of their significance.
This list is published by the Intergovernmental Committee for the Safeguarding of Intangible Cultural Heritage and its members are elected by State parties meeting in UN General Assembly.
Clarke's Bookshop (established in ) is situated in Cape Town, South Africa and carries both new and second hand books on Southern Africa. Inscribing Meaning: Writing and Graphic Systems in African Art October 14, to February 17, “Far and away the most compelling recent L.A.
exhibit on the relationship between language and art.”. Inscribing Meaning explores the relationships between African art and the communicative powers of language, graphic systems and the written word.
For thousands of years, African artists have incorporated writing and graphic symbols into their art with great ingenuity and creativity. ‘Inscribing Meaning: Writing and Graphic Systems in African Art’ Opens at the Fowler Museum at UCLA Oct.
14 Stacey Abarbanel | August 22, Writing systems haveflourished in Africa for thousands of yearsand have contributed significantly to the global history of writing, yet theyhave received little attention outside the continent.
THE DEVIL'S DICTIONARY.
AUTHOR'S PREFACE. The Devil's Dictionary was begun in a weekly paper in , and was continued in a desultory way at long intervals until In that year a large part of it was published in covers with the title The Cynic's Word Book, a name which the author had not the power to reject or happiness to approve.